{"id":377,"date":"2020-03-25T11:51:01","date_gmt":"2020-03-25T10:51:01","guid":{"rendered":"https:\/\/www.marcelzwitser.nl\/?page_id=377"},"modified":"2020-03-25T21:41:14","modified_gmt":"2020-03-25T20:41:14","slug":"non-scholarly-publications-2","status":"publish","type":"page","link":"https:\/\/www.marcelzwitser.nl\/en\/publications-presentations\/non-scholarly-publications-2\/","title":{"rendered":"Non-scholarly publications"},"content":{"rendered":"\n

Spoken concert introductions for concerts of the Netherlands Symphony Orchestra (Orkest van het Oosten) with two or three works on the programme (since 2005), as well as a myriad of short written cd- and dvd-reviews for Luister (since 1998), Nederlands Dagblad<\/em> (since 1997) and DVD-Plus<\/em> (since 2001) are not included.<\/p>\n\n\n\n

<\/p>\n\n\n\n

2020<\/h2>\n\n\n\n

Vijftig tinten duisternis [‘Fifty Shades in Darkness’; about Mahler’s Symphony no.7]. In: DeKlank 7\/3<\/em> Februari-March 2020, pp.42-44<\/p>\n\n\n\n

Nelsons verrassend in Wenen<\/a> [‘Nelsons surprising in Vienna’; Vienna New Year’s Concert 2020]. In: Nederlands Dagblad<\/em>, January 2, 2020.<\/p>\n\n\n\n

<\/p>\n\n\n\n

2019<\/h2>\n\n\n\n

Die Frau ohne Schatten: een ode aan het leven [The Women without shadow: an ode to life]. In: Epoque<\/em> no.6, December 2019, p.60-65.<\/p>\n\n\n\n

Prometheus als belichaming van de geniale kunstenaar [Prometheus as the embodiment of the genius artist; review of Verena Krieger, Was ist ein K\u00fcnstler? Genie \u2013 Heilbringer \u2013 Antik\u00fcnstler<\/em>]. In: Sjofar 463<\/em>, December 2019<\/p>\n\n\n\n

Josef Pieper: contemplatie is de voedingsbodem van kunst [ Josef Pieper: Contemplation is the matrix of art; review Joseph Pieper, Only the Lover Sings: Art and Contemplation<\/em>]. In: Sjofar 462<\/em>, September 2019<\/p>\n\n\n\n

Hunkeren naar een muzikale messias [Craving for a musical messiah; review Rebecca Mitchell, Nietzsche\u2019s Orphans. Music, Metaphysics, and the Twilight of the Russian Empire<\/em>]. In: Sjofar 461<\/em>, June 2019<\/p>\n\n\n\n

Anticiperen op de nieuwe schepping [Anticipating on the new creation; review of Jeremy Begbie, Redeeming Transcendence in the Arts<\/em>]. In: Sjofar 460<\/em>, March 2019.<\/p>\n\n\n\n

Thielemann overtuigt in Weens nieuwjaarsconcert [Thielemann is convincing in Vienna New Year’s Concert; Vienna New Year’s Concert 2019]. In: Nederlands<\/em> Dagblad, January 2, 2019.<\/p>\n\n\n\n

2018<\/h2>\n\n\n\n

Medtners protest tegen onverteerbaar relativisme [Medtner’s protest against undigestable relativism; on Medtner’s Muza i Moda <\/em>(The Muse and the Fashion)]. In: Sjofar 459<\/em>, December 2018.<\/p>\n\n\n\n

Twee eeuwen Duitse muziekreligie [Two centuries of German religion of music; review of Helmut Loos, E-Musik – Kunstreligion der Moderne. Beethoven und andere G\u00f6tter<\/em>]. In: Sjofar 458<\/em>, September 2018.<\/p>\n\n\n\n

Christus, cultuur en kunst [Christ, culture and art; on H. Richard Niebuhr, Christ and Culture<\/em>]. In: Sjofar 457<\/em>, June 2018.<\/p>\n\n\n\n

Egodocument naar aanleiding van Bach [Egodocument following upon Bach; review of Maarten \u2019t Hart, Johann Sebastian Bach<\/em>]. In: Reformatorisch Dagblad<\/em>, May 12, 2018.<\/p>\n\n\n\n

Bekende samenklanken in een onbekende volgorde [Familiar chords in an unfamiliar order; on Claude Debussy]. In: Sjofar 456<\/em>, March 2018.<\/p>\n\n\n\n

Schoonheid aan de buitenkant [Beauty at the outside; Vienna New Year\u2019s Concert 2018]. In: Nederlands Dagblad<\/em>, January 2, 2018.<\/p>\n\n\n\n

Lectures and presentations<\/strong>
Concert presentation on Buxtehude, Jesu, meines Lebens Leben<\/em> and Herzlich lieb habe ich dich, o Herr. <\/em>Concert by the Vocaal Ensemble Rijssen, conducted by Jan Geert Heuvelman, and The Utrecht Company of Music; Rijssen, Dionysiuskerk, October 6, 2018.<\/p>\n\n\n\n

Impressionism in music<\/em>. Lecture at the Crescendo Summer Institute 2018, Tokaj (Hungary), August 6, 2018<\/p>\n\n\n\n

Who is the Hero in Beethoven\u2019s Third Symphony?<\/em> Lecture at the Crescendo Summer Institute 2018, Tokaj (Hungary), August 2, 2018 (in cooperation with pianist Polina Kulikova-Tosuner)<\/p>\n\n\n\n

Greatness and Limitations. John Calvin\u2019s Theology of the Arts.<\/em> Lecture at the Sostenuto Conference, Tokaj (Hungary), July 29, 2018.<\/p>\n\n\n\n

Bladeren in de bijbel van Bach<\/em> [Turning pages in Bach\u2019s Bible]. Lecture at the occasion of the publication of the facsimile of Bach\u2019s copy of the Calov Bible Commentary. Boekhandel Blankevoort, Amstelveen, May 23, 2018.<\/p>\n\n\n\n

Bladeren in de bijbel van Bach.<\/em> [Turning pages in Bach\u2019s Bible]. Lecture at the occasion of the publication of the facsimile of Bach\u2019s copy of the Calov Bible Commentary. Industrieele Groote Club, Amsterdam, May 17, 2018.<\/p>\n\n\n\n

Bladeren in de bijbel van Bach.<\/em> [Turning pages in Bach\u2019s Bible]. Lecture at the occasion of the publication of the facsimile of Bach\u2019s copy of the Calov Bible Commentary, in cooperation with Boekhandel Goedhart, Zwolle. Zwolle, Dominicanenklooster, March 13, 2018.<\/p>\n\n\n\n

2017<\/h2>\n\n\n\n

Christelijke spiritualiteit in de concertzaal [Christian Spirituality in the Concert Hall]. In: Handelingen. Tijdschrift voor praktische theologie en religiewetenschap<\/em> (2017\/4 (\u2018Con Spirito \u2013 geen geloof zonder muziek\u2019), pp.35-42.<\/p>\n\n\n\n

Luthers hartstochtelijke liefde voor muziek [Luther\u2019s Ardent Love for Music]. In: Sjofar 455<\/em>, December 2017.<\/p>\n\n\n\n

Hoop op hemelse interventie [Hope for heavenly intervention; om Rakhmaninov\u2019s Symphonic Dances<\/em>]. In: DeKlank 5\/1, September-November 2017, pp.62-65.<\/p>\n\n\n\n

Gedachtestof over kunst voor theologen [Food for Thought about Art for Theologians; on Jean Calvin\u2019s Theology of the Arts]. In: Sjofar 454<\/em>, September 2017.<\/p>\n\n\n\n

\u2018De kunstenaar moet gewoon een goede handwerker zijn\u2019 [\u2018The Artist Just Has To Be a Good Craftsman\u2019; on Jacques Maritain, L\u2019Art et Scholastique<\/em>]. In: Sjofar 453<\/em>, June 2017.<\/p>\n\n\n\n

\u2018Het programma zal voor allen een raadsel blijven\u2019 [\u2018The program will remain a riddle for everyone\u2019; on \u010cajkovskij\u2019s Symphony No.6] In: DeKlank<\/em>, April-June 2017, pp.158-160.<\/p>\n\n\n\n

Het kernprobleem van de Europese kunst is religieuze ontworteling [The essential problem of European art is the loss of its religious roots; on Lev Tolstoj\u2019s What is Art?<\/em>]. In: Sjofar 452<\/em>, March 2017.<\/p>\n\n\n\n

Lichtgewicht nieuwjaarsconcert in Wenen [Vienna New Year\u2019s Concert 2017]. In: Nederlands Dagblad<\/em>, January, 2, 2017.<\/p>\n\n\n\n

Lectures and presentations<\/strong>
Concert presentation on Telemann, Herr, wir liegen f\u00fcr dir mit unserm Gebet<\/em> (TVWV 1: 781), So ziehet nun an als die Auserw\u00e4hlten Gottes<\/em> (TVWV 1: 1390), Ein feste Burg ist unser Gott<\/em> (TVWV 8: 7) and Es woll uns gn\u00e4dig sein<\/em> (TVWV 1:544). Concert by Vocaal Ensemble Rijssen, conducted by Jan Geert Heuvelman; Holten, Dorpskerk, October 7, 2017.<\/p>\n\n\n\n

Problems and rumours around Tchaikovsky\u2019s best work [on \u010cajkovskij scholarship and interpretations of \u010cajkovskij\u2019s Symphony No.6 therein]. Lecture at the Crescendo Summer Institute 2017, Tokaj (Hungary), August 1, 2017 (in cooperation with pianist Polina Kulikova-Tosuner).<\/p>\n\n\n\n

Biblical Allusions in Monteverdi\u2019s Orfeo<\/em>. Lecture at the Crescendo Summer Institute 2017, Tokaj (Hungary), July 25, 2017.<\/p>\n\n\n\n

2016<\/h2>\n\n\n\n

\u2018Muziek openbaart de kern van het christendom\u2019 [\u2018Music Reveals the Essence of Christianity\u2019; on Richard Wagner\u2019s Religion and Art<\/em>]. In: Sjofar 451<\/em>, December 2016.<\/p>\n\n\n\n

Als kleine jongens groot worden<\/a> [When little boys mature; on \u010cajkovskij\u2019s Piano Concerto No.1]. In: DeKlank<\/em>, September-November 2016.<\/p>\n\n\n\n

De belichaming van de ideale muziekdocent [The Embodiment of the Ideal Music Teacher; on Leopold Mozart]. In: Sjofar 450<\/em>, September 2016.<\/p>\n\n\n\n

In de greep van behoeftigheid [In the Grip of Neediness; on Milos Forman\u2019s film Amadeus<\/em>]. In: Sjofar 449<\/em>, June 2016.<\/p>\n\n\n\n

Waarom Tsjaikovski bewondering verdient [Why \u010cajkovskij deserves admiration]. In: Sjofar 448<\/em>, March 2016.<\/p>\n\n\n\n

Nieuwjaarsconcert van aandoenlijke frisheid [A deliciously fresh New Year\u2019s Concert; Vienna New Year\u2019s Concert 2016]. In: Nederlands Dagblad<\/em>, January, 2, 2016.<\/p>\n\n\n\n

Lectures and Presentations<\/strong>
Concert presentation on Kuhnau, Gott, sei mir gn\u00e4dig<\/em> and J.S. Bach, Aus der Tiefen rufe ich Herr zu dir<\/em> (BWV 131). Concert by Vocaal Ensemble Rijssen, conducted by Jan Geert Heuvelman, Holten, Dorpskerk. September 24, 2016.<\/p>\n\n\n\n

Rakhmaninov\u2019s All-Night-Vigil. Lecture at the Crescendo Summer Institute 2016, Tokaj (Hungary), August 1, 2016 (in cooperation with pianist \u00c1ron Demeter and the choir of the Crescendo Summer Instutute)<\/p>\n\n\n\n

2015<\/h2>\n\n\n\n

Eduard Strauss\u2019 bezoek aan een ovenbouwer.<\/a> [Eduard Strauss\u2019 visit to an oven builder]. In: Sjofar 447<\/em>, December 2015.<\/p>\n\n\n\n

Bachs studiebijbel straks beschikbaar voor iedereen [Bach\u2019s Study Bible in short available for everyone]. In: Sjofar 446<\/em>, September 2015.<\/p>\n\n\n\n

Arvo P\u00e4rt 80 jaar: Beklemmende psalm-op-hele-noten [Arvo P\u00e4rt\u2019s 80th birthday: Oppressive psalm in whole notes]. In: Nederlands Dagblad<\/em>, September 4, 2015.<\/p>\n\n\n\n

De verstilling in de muziek van Arvo P\u00e4rt [Stillness in the music of Arvo P\u00e4rt]. In: Sjofar 445<\/em>, June 2015.<\/p>\n\n\n\n

Bach in de handen van Mendelssohn [Bach in Mendelssohn\u2019s hands; about Mendelssohn\u2019s arrangement of Bach\u2019s St. Matthew Passion]. In: Nederlands Dagblad<\/em>, March 27, 2015.<\/p>\n\n\n\n

Koorgebed aan de vooravond van de revolutie<\/a> [Choral prayer at the brink of the revolution; on Rakhmaninov\u2019s All-Night-Vigil]. In: Sjofar 444<\/em>, March 2015.<\/p>\n\n\n\n

Liefde voor de oude kerkelijke melodie\u00ebn [Love for the old church melodies; on Rakhmaninov\u2019s All-Night-Vigil<\/em>]. In: Nederlands Dagblad<\/em>, March 6, 2015.<\/p>\n\n\n\n

\u2018Denk klein van jezelf en groot van God\u2019 [\u2018Think small about yourself and great of God\u2019; Interview with Herbert Blomstedt] In: Nederlands Dagblad<\/em>, February 13, 2015.<\/p>\n\n\n\n

Wiener Philharmoniker kent continu\u00efteit [Vienna Philharmonic knows continuity; Vienna New Year\u2019s Concert 2015]. In: Nederlands Dagblad<\/em>, January 2, 2015.<\/p>\n\n\n\n

Lectures and presentations<\/strong>
Concert presentation Bachs Actus Tragicus en de Sterbekunst in de barok<\/em> [Bach\u2019s Actus Tragicus and the Art of Dying in the Baroque Era]. Concert by Vocaal Ensemble Rijssen, conducted by Jan Geert Heuvelman; Holten, Dorpskerk, October 17, 2015.<\/p>\n\n\n\n

Concert presentation De Heilige Geest in het werk van J.S. Bach<\/em> [The Holy Spirit in the work of J.S. Bach]. Concert by Vokaal Ensemble Magnificat, conducted by Margreeth Verboom; Kampen, Bovenkerk, October 3, 2015.<\/p>\n\n\n\n

Turning pages in Bach\u2019s Bible<\/em>. Lecture at the Crescendo Summer Institute 2015, Tokaj (Hungary), July 30, 2015. (in cooperation with pianist Dominika Blatt).<\/p>\n\n\n\n

2014<\/h2>\n\n\n\n

De afscheidsmuziek van Richard Strauss [The Farewell Music of Richard Strauss]. In: Sjofar 443<\/em>, December 2014.<\/p>\n\n\n\n

Opgenomen in de hemelse vreugdedans<\/a> [Taken Up in the Heavenly Dance of Joy; Bach: Christmas Oratorio]. In: Programm booklet NTR Zaterdagmatinee<\/em>, December 13, 2014, pp.3-8.<\/p>\n\n\n\n

Tsjaikovski\u2019s geduld met een rare snuiter<\/a> [\u010cajkovskij\u2019s patience with a strange fellow; on \u010cajkovskij\u2019s Manfred Symphony<\/em>]. In: DeKlank<\/em> September-November 2014, pp.54-59.<\/p>\n\n\n\n

Een muzikale oproep tot boetedoening [A musical call for repentence; on Bach\u2019s music for the 10th Sunday after Trinity]. In: Nederlands Dagblad<\/em>, August 29, 2014.<\/p>\n\n\n\n

Spelen op Mozarts fortepiano [Playing on Mozart\u2019s fortepiano]. In: Nederlands Dagblad<\/em>, May 30, 2014.<\/p>\n\n\n\n

De aristocratische zoon van Bach [The aristocratic son of Bach; on Carl Philip Emanuel Bach]. In: Nederlands Dagblad<\/em>, March 7, 2014.<\/p>\n\n\n\n

Dankgebed van een antichrist [Prayer of Thanksgiving from an antichrist; Richard Strauss, Eine Alpensinfonie<\/em>]. In: Programm booklet NTR Zaterdagmatinee, March 1, 2014.<\/p>\n\n\n\n

Sjostakovitsj\u2019 respect voor de joden [Shostakovich\u2019s respect for Jews]. In: Nederlands Dagblad<\/em>, February 7, 2014.<\/p>\n\n\n\n

Matth\u00e4us-Passion van voor en achter [St. Matthew Passion in surround recording; on Ren\u00e9 Jacobs\u2019 recording of Bach\u2019s St. Matthew Passion]. In: Nederlands Dagblad<\/em>, January 10, 2014.<\/p>\n\n\n\n

\u2018In de kerk word ik weer mijzelf\u2019 [\u2018In church, I get back to myself\u2019; Interview with Sunhae Im]. In: Nederlands Dagblad<\/em>, January 3, 2014.<\/p>\n\n\n\n

Barenboim wint ook in herhaling [Barenboim wins by succession; Vienna New Year\u2019s Concert 2014]. In: Nederlands Dagblad<\/em>, January 3, 2014.<\/p>\n\n\n\n

Lectures and presentations<\/strong>
Bladeren in de bijbel van Bach.<\/em> [Turning pages in Bach\u2019s Bible]. Lecture on the Calov Bible Commentary at the Bachdag Amersfoort, October 11, 2014.<\/p>\n\n\n\n

Bach in C\u00f6then<\/em>. Lecture at the Crescendo Summer Institute 2014, Tokaj (Hungary), August 5, 2014 (in cooperation with cellist Steuart Pincombe and lutist Bill Buchanan).<\/p>\n\n\n\n

Articulating the Heart of the Christian Faith: the Symbolum Nicenum of Bach\u2019s B Minor Mass and St. Augustine\u2019s De Trinitate.<\/em> Lecture at the symposium \u2018Denominational Boundaries and Sacred Music\u2019 at Hope University, Liverpool, UK, June 23, 2014.<\/p>\n\n\n\n

2013<\/h2>\n\n\n\n

Over engelenzang, een open sollicitatie en oude muziek<\/a> [About the song of angels, an open application and ancient music; on Bach\u2019s Mass in B Minor<\/em>]. In: Programm booklet NTR Zaterdagmatinee<\/em>, November 2, 2013, pp.3-7.<\/p>\n\n\n\n

De anderen weet ik waar ik sta [The others know where I am; interview with Matthew O\u2019Donovan, Stile Antico]. In: Nederlands Dagblad<\/em>, August 29, 2013.<\/p>\n\n\n\n

Orkestraties met grote gevolgen [Orchestrations with huge consequences; on Arbos\u2019 orchestrations of movements from Alb\u00e9niz\u2019 Iberia<\/em>]. In: Nederlands Dagblad<\/em>, August 16, 2013.<\/p>\n\n\n\n

Alsof je van de hemel naar de aarde kijkt [As if you look from heaven to the earth; on Mozart\u2019s Clarinet Concerto]. In: Nederlands Dagblad<\/em>, August 2, 2013.<\/p>\n\n\n\n

Rachmaninovs augustijnse pianosonate [Rakhmaninov\u2019s Augustinian Piano Sonata; on Rakhmaninov\u2019s Piano Sonata No.1]. In: Nederlands Dagblad<\/em>, April 12, 2013.<\/p>\n\n\n\n

Hoe Mozart Bach ontdekte [How Mozart discovered Bach; on Mozart\u2019s string arrangements of fugues from Bach\u2019s Well-Tempered Clavier]. In: Nederlands Dagblad<\/em>, January 25, 2013.<\/p>\n\n\n\n

Een concert waar veel mis kon gaan [A concert with a lot of risks; Vienna New Year\u2019s Concert 2013]. In: Nederlands Dagblad<\/em>, January 4, 2013.<\/p>\n\n\n\n

Lectures and presentations<\/strong>
The sinner punished. Mozart\u2019s opera Don Giovanni.<\/em> Lecture at the Crescendo Summer Institute 2013, Tokaj (Hungary), August 8, 2013.<\/p>\n\n\n\n

The Muse and the Fashion. Nikolaj Medtner and his \u2018defence of the foundations of the Art of Music\u2019.<\/em> Lecture at the Crescendo Summer Institute 2013, Tokaj (Hungary), August 2, 2013 (in cooperation with pianist Polina Kulikova-Tosuner and violinist Marie-\u00c8ve Poupart).<\/p>\n\n\n\n

2012<\/h2>\n\n\n\n

Pianokunst voor fijnproevers<\/a> [Pianistic art for connoisseurs; on the piano music by Nikolaj Medtner]. In: Nederlands Dagblad<\/em>, August 31, 2012.<\/p>\n\n\n\n

Opera: Parsifal met vraag- en uitroeptekens [Opera: Parsifal with question and exclamation marks; on the new production of Wagner\u2019s Parsifal<\/em> at the Nederlandse Opera]. In: Nederlands Dagblad<\/em>, June 15, 2012.<\/p>\n\n\n\n

Romantisering van het Oude Madrid [Romanticizing the Old Madrid; on Granados\u2019 Goyescas<\/em>]. In: Nederlands Dagblad<\/em>, June 8, 2012.<\/p>\n\n\n\n

Een prachtige Beethoven uit Overijssel [An excellent Beethoven from the province of Overijssel; on the Beethoven symphonies cycle from the Netherlands Symphony Orchestra]. In: Nederlands Dagblad<\/em>, March 16, 2012.<\/p>\n\n\n\n

Russische liturgische opera in Muziektheater [Russian liturgical opera in the Muziektheater; on the new production of Rimskij-Korsakov\u2019s Legend of the Invisible City of Kitezh and the Maiden Fevronija<\/em> at the Nederlandse Opera]. In: Nederlands Dagblad<\/em>, February 17, 2012.<\/p>\n\n\n\n

Symfonische trilogie in \u00e9\u00e9n concert [Symphonic trilogy in one concert; on Mozart\u2019s Symphonies nos.39-41]. In: Nederlands Dagblad<\/em>, January 27, 2012.<\/p>\n\n\n\n

Mediaspektakel in driekwartsmaat<\/a> [Mediashow in three quarter bar; Vienna New Year\u2019s Concert 2012]. In: Nederlands Dagblad<\/em>, January 5, 2012.<\/p>\n\n\n\n

Lectures and presentations<\/strong>
Strenghtened by Faith. On the Life and Works of Manuel de Falla.<\/em> Lecture at the Crescendo Summer Institute, Sarospatak (Hungary), August 6, 2012 (in cooperation with pianist Polina Kulikova-Tosuner).<\/p>\n\n\n\n

2011<\/h2>\n\n\n\n

Nietzsche en de christelijke Parsifal [Nietzsche and the Christian Parsifal]. In: Nederlands Dagblad<\/em>, November 18, 2011.<\/p>\n\n\n\n

Spaanse straatmuziek voor strijkers [Spanish street music for strings; on Boccherini\u2019s String quintets]. In: Nederlands Dagblad<\/em>, November 11, 2011.<\/p>\n\n\n\n

\u2018Nederland zou van Finland moeten leren\u2019<\/a> [\u2018The Netherlands should learn from Finland\u2019; on the Lahti Sibelius Festival 2011]. In: Nederlands Dagblad<\/em>, November 4, 2011.<\/p>\n\n\n\n

Voortzetting van Gods scheppingswerk [Continuation of God\u2019s creational work; on Sofija Gubajdulina]. In: Nederlands Dagblad<\/em>, October 21, 2011.<\/p>\n\n\n\n

Hoogtepunten van een joueur d\u2019espinette [Highlights from an espinette player; on Louis Couperin]. In: Nederlands Dagblad<\/em>, September 9, 2011.<\/p>\n\n\n\n

Beethoven als grappenmaker [Beethoven as joker]. In: Nederlands Dagblad<\/em>, August 19, 2011.<\/p>\n\n\n\n

De Mozart van de twintigste eeuw [The Mozart of the 20th century; on Korngold]. In: Nederlands Dagblad<\/em>, August 5, 2011.<\/p>\n\n\n\n

Synthese van oud en nieuw [A Synthesis of Old and New; on Bach\u2019s St. John Passion<\/em>]. In: Nederlands Dagblad<\/em>, April 15, 2011.<\/p>\n\n\n\n

Dankbaar opblikken naar de hemelse bruidegom [Thankfully looking up to the heavenly Bridegroom; on Buxtehude\u2019s Membra Jesu nostri<\/em>]. In: Nederlands Dagblad<\/em>, April, 15 2011.<\/p>\n\n\n\n

De muzikale paus van Europa [The musical pope of Europe; on the Liszt Conference in Utrecht, April 2, 2011]. In: Nederlands Dagblad<\/em>, April 8, 2011.<\/p>\n\n\n\n

Idee tegenover vorm [Idea against Form; on Schoenberg\u2019s Moses und Aron<\/em>]. In: Nederlands Dagblad<\/em>, April 8, 2011.<\/p>\n\n\n\n

Complete tijdloze Zauberfl\u00f6te [Complete timeless Magic Flute; on Ren\u00e9 Jacobs\u2019 recording of Mozart\u2019s The Magic Flute<\/em>]. In: Nederlands Dagblad<\/em>, March 25, 2011.<\/p>\n\n\n\n

Meesterwerk van de Meininger Bach [Masterwork of the Meiningen Bach, i.e. Johann Ludwig Bach]. In: Nederlands Dagblad<\/em>, February 25, 2011.<\/p>\n\n\n\n

Gogolesk zonder religieuze connotatie [Gogolian without religieus connotation; on \u010cajkovskij\u2019s opera \u010cerevi\u010dki<\/em>, review of Opus Arte OA 0137 D). In: Nederlands Dagblad<\/em>, January 21, 2011.<\/p>\n\n\n\n

Lectures and presentations<\/strong>
Franz Liszt and Christianity. Lecture at the Crescendo Summer Institute, Sarospatak (Hungary), August 2, 2011 (in cooperation with pianist Polina Kulikova-Tosuner).<\/p>\n\n\n\n

2010<\/h2>\n\n\n\n

Warm pleidooi voor Marco dall\u2019Aquila [A warm pleading for Marco dall\u2019Aquila]. In: Nederlands Dagblad<\/em>, December 24, 2010.<\/p>\n\n\n\n

Huiver voor vrouwelijke seksualiteit [Fear for female sexuality; on Szymanovski\u2019s opera Kr\u00f3l Roger<\/em>; review of C Major 702808). In: Nederlands Dagblad<\/em>, December 12, 2010.<\/p>\n\n\n\n

De hemel op aarde [Heaven on Earth; on the Crescendo Summer Institute 2010]. In: Nederlands Dagblad<\/em>, October 8, 2010.<\/p>\n\n\n\n

Hoop op de opstanding [Musorgskij\u2019s hope for resurrection from the dead; on Musorgskij\u2019s Pictures at an Exhibition<\/em>; review of RCO 09004]. In: Nederlands Dagblad<\/em>, September 3, 2010.<\/p>\n\n\n\n

Discussie over Dvo\u0159\u00e1k [Discussion on Dvo\u0159\u00e1k; review of several cd\u2019s with Dvo\u0159\u00e1k symphonies]. In: Nederlands Dagblad<\/em>, July 30, 2010.<\/p>\n\n\n\n

Kerkmuziek van een jong gestorven genie [Church music of an early demised genius; on Claudio Abbado\u2019s recordings of Pergolesi church compositions]. In: Nederlands Dagblad<\/em>, May 21, 2010.<\/p>\n\n\n\n

Wat te denken van Mendelssohn\u2019s \u2018Walpurgisnacht\u2019? [What to think of Mendelssohn\u2019s Walpurgisnacht Cantata?]. In: Nederlands Dagblad<\/em>, May 14, 2010.<\/p>\n\n\n\n

Een kijkje in de keuken van de muziekwetenschap [A look into musicology; on Bach\u2019s Der Geist hilft unser Schwachheit auf<\/em>]. In: Nederlands Dagblad<\/em>, April 30, 2010.<\/p>\n\n\n\n

Dodelijk beledigd door medelijden [Deadly offended by pity; on Friedrich Nietzsche and Richard Wagner]. In: Nederlands Dagblad<\/em>, April 9, 2010.<\/p>\n\n\n\n

Daverende paasvreugde [Thundering Easter Joy; on Rimsky-Korsakov\u2019s Russian Easter Festival Overture<\/em>]. In: Nederlands Dagblad<\/em>, April 2, 2010.<\/p>\n\n\n\n

Melancholie in driekwartsmaat [Melancholy in three quarter bar; on Chopin\u2019s waltzes; review of DG 477 8095]. In: Nederlands Dagblad<\/em>, February 26, 2010.<\/p>\n\n\n\n

\u2018Je moet vergeten dat er een partituur is\u2019 [\u2018You should forget that there is a score\u2019; Daniel Barenboim at the Nexus Institute]. In: Nederlands Dagblad<\/em>, February 19, 2010.<\/p>\n\n\n\n

De bijbaantjes van beroemde componisten [The secondary jobs of famous composers]. In: Nederlands Dagblad<\/em>, January, 22 2010.<\/p>\n\n\n\n

Lectures and presentations<\/strong>
To be obedient in happiness and sorrow. Johann Sebastian Bach\u2019s Organ Prelude Vater unser im Himmelreich<\/em>, BWV 682; Lecture at the Crescendo Summer Institute, Sarospatak (Hungary), August 4, 2010.<\/p>\n\n\n\n

2009<\/h2>\n\n\n\n

Ontsnappen aan een verstikkende realiteit<\/a> [Escaping from a suffocating reality; on Johann Strauss sr.]. In: Nederlands Dagblad<\/em>, December 31, 2009.<\/p>\n\n\n\n

Het moeilijkste pianoconcert? [The most difficult piano concerto?; on Beethoven\u2019s Piano Concerto No.4; review of BIS SACD 1693]. In: Nederlands Dagblad<\/em>, December 12, 2009.<\/p>\n\n\n\n

Monument voor Sweelinck en de 16e eeuwse psalmencultuur [Monument for Sweelinck and the 16th century psalm culture; review of GES 922402]. In: Nederlands Dagblad<\/em>, October 30, 2009.<\/p>\n\n\n\n

Muziekfestival met christelijke boventonen [Music festival with Christian overtones; on Konvergencie<\/em> in Bratislava, Slovakia]. In: Nederlands Dagblad<\/em>, October 2, 2009.<\/p>\n\n\n\n

Excentrieke kleinzoon ontsiert film over grootvader [Excentric grandson mars film on his grandfather; on Palmer\u2019s film Rachmaninoff: The Harvest of Sorrow<\/em>; review of TP-DVD 152]. In: Nederlands Dagblad<\/em>, September 11, 2009.<\/p>\n\n\n\n

Het geboortehuis van Cio-Cio-San, Minnie en Magda [The birth house of Cio-Cio San, Minnie and Magda; on Puccini\u2019s villa in Torre del Lago, Italy]. In: Nederlands Dagblad<\/em>, August 28, 2009.<\/p>\n\n\n\n

De emancipatie van de cello [The Emancipation of the Cello; on Beethoven\u2019s Cello Sonatas]. In: Nederlands Dagblad<\/em>, June 19, 2009.<\/p>\n\n\n\n

Eerherstel voor Nikolaj Roslavets [Rehabilitation for Nikolaj Roslavets; review of Hyperion CD 67637]. In: Nederlands Dagblad<\/em>, June 5, 2009.<\/p>\n\n\n\n

Geesteskracht en kwaliteitsbesef [Spiritual strength and sense of quality; on Phil Grabsky\u2019s film on Beethoven]. In: Nederlands Dagblad<\/em>, May 22, 2009.<\/p>\n\n\n\n

Terug naar de oerervaring van de klank [Back of the basic experience of the sound; on Debussy\u2019s Piano Preludes]. In: Nederlands Dagblad<\/em>, April 24, 2009.<\/p>\n\n\n\n

Het 18e eeuwse equivalent van \u2018The Passion\u2019 [The 18th century equivalent of \u2018The Passion\u2019; on Telemann\u2019s Brockes-Passion<\/em>]. In: Nederlands Dagblad<\/em>, April 10, 2009.<\/p>\n\n\n\n

Bijbelse metaforen voor politiek-maatschappelijke kwesties [Biblical metaphers for political and societal issues; on H\u00e4ndel\u2019s oratorios]. In: Nederlands Dagblad<\/em>, April 3, 2009.<\/p>\n\n\n\n

Angstaanjagende lijdensgeschiedenis [Terryfying passion story; on Sofija Gubajdulina\u2019s St. John Passion<\/em>; review of H\u00e4nssler Classics CD 98.289]. In: Nederlands Dagblad<\/em>, April 3, 2009.<\/p>\n\n\n\n

Lichte muziek op topniveau [Light music of the highest level; on \u010cajkovskij\u2019s Serenade for Strings<\/em>; review of BIS SACD 1458]. In: Nederlands Dagblad<\/em>, January 30, 2009.<\/p>\n\n\n\n

\u2018Voortreffelijk, goede en trouwe slaaf\u2019 [Well done, good and faithful servant\u2019; on Bach\u2019s Musical Offering<\/em>; review of CC 72309]. In: Nederlands Dagblad<\/em>, January 16, 2009.<\/p>\n\n\n\n

Componeren in de schaduw van het Alhambra [Composing in the shadow of the Alhambra; on Falla\u2019s house and the Centro Centural Manuel de Falla in Granada]. In: Nederlands Dagblad<\/em>, January 2, 2009.<\/p>\n\n\n\n

2008<\/h2>\n\n\n\n

Dankgebed van een antichrist<\/a> [Prayer of thanksgiving of an antichrist; on Richard Strauss\u2019 Alpine Symphony<\/em>; review of RCO Live 08006]. In: Nederlands Dagblad<\/em>, November 7, 2008.<\/p>\n\n\n\n

De belichaming van de ideale muziekdocent [The embodiment of the ideal music teacher; on Leopold Mozart]. In: Nederlands Dagblad<\/em>, December 5, 2008.<\/p>\n\n\n\n

\u2018The Creation\u2019 in opgewaardeerd Engels [\u2018The Creation\u2019 in upgraded English; review of Archiv 477 7361]. In: Nederlands Dagblad<\/em>, July 4, 2008.<\/p>\n\n\n\n

Stravinsky als vijfde keuze [Stravinsky as fifth choice; on Stravinsky\u2019s Firebird<\/em>; review of RCO Live 08002]. In: Nederlands Dagblad<\/em>, May 30, 2008.<\/p>\n\n\n\n

Wij waren geen naziorkest [We were not a Nazi orchestra; on the Berliner Philharmoniker in 1933-45; review of Arthaus 101 453]. In: Nederlands Dagblad<\/em>, May 2, 2008.<\/p>\n\n\n\n

Engelenkoren in de lijdensweek [Choirs of angels in the Passion Week; on Gre\u010daninov\u2019s Strasnaja sedmica<\/em>]. In: Nederlands Dagblad<\/em>, March 21, 2008.<\/p>\n\n\n\n

Het schoonheidsideaal van een onuitputtelijke Streber [The ideal of beauty of an indefatigable careerist; on Robert Dornhelm\u2019s film Karajan, oder Die Sch\u00f6nheit wie ich sie sehe<\/em>; review of DG 073 4392]. In: Nederlands Dagblad<\/em>, April 11, 2008.<\/p>\n\n\n\n

Mahlers liefdesverklaring aan een hysterica [Mahler\u2019s love declaration to a hysterical woman; review of Hilmes\u2019 biography on Alma Mahler]. In: Nederlands Dagblad<\/em>, March 7, 2008.<\/p>\n\n\n\n

De vier versies van Bachs Johannes-Passion [The four versions of Bach\u2019s St. John Passion<\/em>]. In: Nederlands Dagblad<\/em>, February 1, 2008.<\/p>\n\n\n\n

Eindeloos verlangen [Endless yearning; on Wagner\u2019s Tristan und Isolde<\/em>; review of DG 073 4321]. In: Nederlands Dagblad<\/em>, January 25, 2008.<\/p>\n\n\n\n

2007<\/h2>\n\n\n\n

De Weense danscultuur van Mozart tot Strauss [The Viennese dance culture from Mozart to Strauss; review of DG 073 4362]. In: Nederlands Dagblad<\/em>, December 28, 2007.<\/p>\n\n\n\n

Wandelen langs Beethovens symfonie\u00ebn [Walking along Beethoven\u2019s symphonies; on the Beethoven houses in Vienna; review of LSO Live 0598]. In: Nederlands Dagblad<\/em>, November 2, 2007.<\/p>\n\n\n\n

Zinderende opera en bleke balletmuziek [Thrilling opera and pale ballet music; on R. Strauss\u2019 Salom\u00e9 and Josephs Legende<\/em>; review of DG 073 4339 and 073 4315. In: Nederlands Dagblad<\/em>, October 5, 2007.<\/p>\n\n\n\n

\u2018Uw inzettingen zijn mij tot snarenspel in het huis van mijn vreemdelingschap\u2019<\/a> [Your ordinances; on Sch\u00fctz\u2019 Opus ultimum<\/em>; review of HMC 901895.96]. In: Nederlands Dagblad<\/em>, September 14, 2007.<\/p>\n\n\n\n

Haydns voetstappen in Eisenstadt, Fert\u00f6d en Wenen<\/a> [Haydn\u2019s Footsteps in Eisenstadt, Fert\u00f6d and Vienna]. In: Nederlands Dagblad<\/em>, August 18, 2007.<\/p>\n\n\n\n

Zwart-witte kleurenfilms [Black and white films in colour; on the Soviet films of \u0160ostakovi\u010d\u2019 \u010cer\u00ebmu\u0161kij and Lady Macbeth of Mtsensk<\/em>; review of Decca 074 3137 and 074 3138]. In: Nederlands Dagblad<\/em>, June 29, 2007.<\/p>\n\n\n\n

Besef van een oudere werkelijkheid [Awareness of an older reality; on several compositions based on Cervantes\u2019 Don Quijote<\/em>; review of DG 476 3094]. In: Nederlands Dagblad<\/em>, June 6, 2007.<\/p>\n\n\n\n

Zoeken naar Buxtehudes Abendmusik [The only preserved Abendmusik; on Buxtehude\u2019s Wacht! Euch zum Streit gefasset macht<\/em>]. In: Nederlands Dagblad<\/em>, April 27, 2007.<\/p>\n\n\n\n

De symfonie die de wereld veranderde [The symphony that changed the world; on Nick Dear\u2019s and Simon Cella Jones\u2019 film Eroica. The Day that changed Music Forever<\/em>; review of OA 0908 D]. In: Nederlands Dagblad<\/em>, March 30, 2007.<\/p>\n\n\n\n

De geest van de Finse natuur [The spirit of Finnish nature; on the Sibelius houses in H\u00e4meenlinna and J\u00e4rvenp\u00e4\u00e4, Finland; review of two Sibelius films by Christopher Nupen, Allegro Films A 05CN]. In: Nederlands Dagblad<\/em>, March 23, 2007.<\/p>\n\n\n\n

Elke vrouw heeft iets van Manon [Every woman has something of Manon; on Massenet\u2019s Manon<\/em> and Puccini\u2019s Manon Lescaut<\/em>; review of DG 073 4207 and 073 4241]. In: Nederlands Dagblad<\/em>, February 16, 2007.<\/p>\n\n\n\n

Godswonderen en modern cynisme [Divine miracles and modern cynism; on Wagner\u2019s Lohengrin<\/em>; review of EuroArts 2072028 and OA 0964 D]. In: Nederlands Dagblad<\/em>, January 19, 2007.<\/p>\n\n\n\n

2006<\/h2>\n\n\n\n

Bevroren tranen. Kanttekeningen bij Schuberts Winterreise<\/em> [Frozen tears. Annotations at Schubert\u2019s Winter Journey]. In: TALSTRA, EEP (ed.) 2006: Ongekend. Over eenzaamheid.<\/em> Barneveld: Uitgeverij De Vuurbaak, 2006, pp.104-109.<\/p>\n\n\n\n

Kerstfeesten die nooit meer vergeten mogen worden [Christmas celebrations that never should be forgotten anymore; dvd-review of the Christmas Matinees by the Concertgebouw Orchestra conducted by Bernard Haitink]. In: Nederlands Dagblad<\/em>, December 22, 2006.<\/p>\n\n\n\n

Amsterdamse \u2018Ring\u2019 optisch imposant [Amsterdam \u2018Ring\u2019 imposant optically; dvd-review on the production of Wagner\u2019s Der Ring des Nibelungen<\/em> at De Nederlandse Opera]. In: Nederlands Dagblad<\/em>, December 15, 2006.<\/p>\n\n\n\n

Lutherse missen bestaan niet [Lutheran masses do not exist; on Bach\u2019s Missae breves<\/em>; review of CC 72221, 72222 and SACC 72160]. In: Nederlands Dagblad<\/em>, November 24, 2006.<\/p>\n\n\n\n

Hoofdbrekens over Monteverdi\u2019s Vespers [Racking one\u2019s brains over Monteverdi\u2019s Vespers<\/em>; review of Archiv 477 6147]. In: Nederlands Dagblad<\/em>, October 27, 2006.<\/p>\n\n\n\n

Op zoek naar Mozart in Praag [Searching for Mozart in Prague; on Mozart sites in Prague, M\u00f6rike\u2019s novella and three recordings of La clemenza di Tito<\/em>]. In: Nederlands Dagblad<\/em>, October 6, 2006.<\/p>\n\n\n\n

\u2018Afwezigheid van orde is opstand tegen God\u2019 [\u2018Absence of order is rebellion against God\u2019; on Stravinsky\u2019s Les Noces, Mass and Cantata<\/em>; review of HMC 801913]. In: Nederlands Dagblad<\/em>, September 8, 2006.<\/p>\n\n\n\n

De eenzaamheid van de moderne mens [The Loneliness of Modern Man; on Schubert\u2019s Winterreise and final piano sonatas; review of CC 72152, Hyperion CDJ 33051\/53 and Philips 070 1139]. In: Nederlands Dagblad<\/em>, July 7, 2006.<\/p>\n\n\n\n

Bang voor nieuwe muziek [Afraid of new music; on Wagner\u2019s Die Meistersinger von N\u00fcrnberg<\/em>; review of DG 073 4160]. In: Nederlands Dagblad<\/em>, June 16, 2006.<\/p>\n\n\n\n

\u2018Schrijf me. Vergeet me niet\u2019 [\u2018Write me. Do not forget me\u2019; on \u0160ostakovi\u010d\u2019 correspondence with Isaak Glikman]. In: Nederlands Dagblad<\/em>, April 28, 2006.<\/p>\n\n\n\n

Mozarts geblazen opera [Mozart\u2019s blown opera; on the Donaueschingen Harmoniemusik]. In: Nederlands Dagblad<\/em>, April 7, 2006.<\/p>\n\n\n\n

Nederlandse Mattheus-passie onaanvaardbaar [St. Matthew Passion in Dutch unacceptable<\/em>; review of DG 476 9146]. In: Nederlands Dagblad<\/em>, March 31, 2006.<\/p>\n\n\n\n

Genie zonder gezicht [Genius without face; on Marc-Antoine Charpentier]. In: Nederlands Dagblad<\/em>, March 10, 2006.<\/p>\n\n\n\n

Mozarts Parijse deb\u00e2cle [Mozart\u2019s failure in Paris; review of HMC 901897]. In: Nederlands Dagblad<\/em>, March 3, 2006.<\/p>\n\n\n\n

Hoe een fluit een glimlach op je gezicht tovert [How a flute creates a smile on your face; on literature on Mozart\u2019s opera The Magic Flute<\/em>]. In: Nederlands Dagblad<\/em>, February 10, 2006.<\/p>\n\n\n\n

Via Mozart toevlucht zoeken bij God [Looking for refuge with God via Mozart; review of four Mozart publications]. In: Nederlands Dagblad<\/em>, January 20, 2006.<\/p>\n\n\n\n

Krijgt Alberich de ring toch\u2026? [Does Alberich get the ring in the end?; on Harry Kupfer\u2019s direction of Wagner\u2019s Der Ring des Nibelungen<\/em> in Barcelona; review of OA 091o-13 D]. In: Nederlands Dagblad<\/em>, January 6, 2006.<\/p>\n\n\n\n

2005<\/h2>\n\n\n\n

Zoeken naar het einde [Searching for the end; on R. Strauss\u2019 Capriccio<\/em>; review of TDK DVW-OPCAP. In: Nederlands Dagblad<\/em>, December 16, 2005.<\/p>\n\n\n\n

Vader en zoon in de kamer van de dood [Father and Son in the room of death; on the production of Verdi\u2019s Don Carlo<\/em> at the Amsterdam Muziektheater; review of OA 0932 D]. In: Nederlands Dagblad<\/em>, December 9, 2005.<\/p>\n\n\n\n

Puurheid van Baltische stemmen [The purity of Baltic voices; review of HMU 807311, 807331 and 807391]. In: Nederlands Dagblad<\/em>, November 18, 2005.<\/p>\n\n\n\n

Wie dit hoort, moet veranderen [Who hears this, has to change; on McMillan\u2019s Seven Last Words from the Cross]. In: Nederlands Dagblad<\/em>, November 4, 2005.<\/p>\n\n\n\n

Sjostakovitsj\u2019 protest tegen Russisch antisemitisme [\u0160ostakovi\u010d\u2019 protest against Russian antisemitism; on \u0160ostakovi\u010d\u2019 Symphony No.13]. In: Nederlands Dagblad<\/em>, October 21, 2005.<\/p>\n\n\n\n

P\u00e4rts spiritualiteit van de stilte [P\u00e4rt\u2019s spirituality of silence; on Arvo P\u00e4rt]. In: Nederlands Dagblad<\/em>, September 30, 2005.<\/p>\n\n\n\n

Een spiraal van religieus geweld [A spiral of religious violence; on Hal\u00e9vy\u2019s La Juive<\/em>; review of DG 073 4001]. In: Nederlands Dagblad<\/em>, September 16, 2005.<\/p>\n\n\n\n

Lehnhoff wil van alle godsdienst af [Lehnhoff wants to get rid of all religion; review of dvd Opus Arte OA 0915 D]. In: Nederlands Dagblad<\/em>, June 24, 2005.<\/p>\n\n\n\n

Met een zaklamp op zoek naar Crist\u00f3bal de Morales [Searching for Crist\u00f3bal de Morales with a flash light; review of Glossa GDC 922001. In: Nederlands Dagblad<\/em>, May 20, 2005.<\/p>\n\n\n\n

De diepe melancholie van Richard Wagner [The deep melancholy of Richard Wagner; review of three recordings of Wagner\u2019s Tristan und Isolde<\/em>]. In: Nederlands Dagblad<\/em>, April 22, 2005.<\/p>\n\n\n\n

Veel van het mooiste is verborgen gebleven [Much of the most beautiful remained hidden; review of recordings by Carlos Kleiber and Sergiu Celibidache]. In: Nederlands Dagblad<\/em>, January 28, 2005.<\/p>\n\n\n\n

De stille bossen van Sibelius [The Silent Woods of Sibelius; on Sibelius\u2019 villa in J\u00e4rvenp\u00e4\u00e4, Finland, and the Sibelius Museum in Turku, Finland]. In: Nederlands Dagblad<\/em>, January 7, 2005.<\/p>\n\n\n\n

2004<\/h2>\n\n\n\n

Muziek kan chaos en dood bezweren [Music can avert chaos and death; on Monteverdi\u2019s, Landi\u2019s and Gluck\u2019s treatment of the Orpheus myth]. In: Nederlands Dagblad<\/em>, December 17, 2004.<\/p>\n\n\n\n

Kerkmuziek voor een omgestemde viool [Church music for a retuned violin; on Biber\u2019s Rosary Sonatas<\/em> and other pieces]. In: Nederlands Dagblad<\/em>, November 26, 2004.<\/p>\n\n\n\n

Voor alles een zuiver hart [Above all God a pure heart; on Taneyev\u2019s cantata After Reading of a Psalm<\/em>]. In: Nederlands Dagblad<\/em>, November 12, 2004.<\/p>\n\n\n\n

Paarden om nieuw Europa voort te trekken [Horses to pull the new Europe be pulled forward; on Rossini\u2019s Il Viaggio a Reims<\/em>] In: Nederlands Dagblad<\/em>, November 5, 2004.<\/p>\n\n\n\n

Messiaen wijst op de verheerlijkte Christus [Messiaen points at the glorified Christ; on Messiaen\u2019s \u00c9clairs sur l\u2019au-del\u00e0<\/em>; review of EMI 5 57788 2]. In: Nederlands Dagblad<\/em>, October 22, 2004.<\/p>\n\n\n\n

William Byrd rooms-katholiek componist aan protestants hof [William Byrd, a roman-catholic composer at a protestant court; review of GIMDP 901]. In: Nederlands Dagblad<\/em>, October 15, 2004.<\/p>\n\n\n\n

Van speelgoedeentjes tot serene stilte [From toy ducks to serene silence; review of Virgin Classics 5456302 and 5455012) In: Nederlands Dagblad<\/em>, September 3, 2004.<\/p>\n\n\n\n

Wereldpremi\u00e8re be\u00ebindigt Vivaldi\u2019s kerkmuziek [World premiere concludes cd cycle with Vivaldi\u2019s Church Music]. In: Nederlands Dagblad<\/em>, August 6, 2004.<\/p>\n\n\n\n

De minst begrepen mens van de wereld [The least understood person on the world; on Herbert von Karajan; review of Sony SVD 48420 and 45984]. In: Nederlands Dagblad<\/em>, July 17, 2004.<\/p>\n\n\n\n

Kerkgeschiedenis met Modest Musorgskij [Church history with Modest Musorgskij; on Musorgskij\u2019s opera Khovan\u0161\u010dina<\/em>; review of Arthaus 100 310]. In: Nederlands Dagblad<\/em>, July 14, 2004.<\/p>\n\n\n\n

Liever tomatenkweker [Preferably a tomato grower; interview Bernhard Klee] In: Nederlands Dagblad<\/em>, June 11, 2004.<\/p>\n\n\n\n

Afscheid met Mahler [Farewell with Mahler; on Chailly\u2019s final concert with the Royal Concertgebouw Orchestra as its chief conductor]. In: Nederlands Dagblad<\/em>, June,11, 2004.<\/p>\n\n\n\n

H\u00e4ndels \u2018Saul\u2019 was een politieke waarschuwing [H\u00e4ndel\u2019s \u2018Saul\u2019 was a political warning; review of Archiv 474 510-2). In: Nederlands Dagblad<\/em>, May 21, 2004.<\/p>\n\n\n\n

De onvoltooide Jakobsladder van Arnold Sch\u00f6nberg [on Sch\u00f6nberg\u2019s Der Jakobsleiter<\/em>; review of HMC 801821]. In: Nederlands Dagblad<\/em>, May 21, 2004 (attributed wrongly to the musical editorial board of the Nederlands Dagblad<\/em>).<\/p>\n\n\n\n

Haydns instrumentale lijdensmuziek voor Spanje [Haydn\u2019s instrumental Passion music for Spain; review of DG 474 836-2 and BIS-CD-1325] In: Nederlands Dagblad<\/em>, April 9, 2004.<\/p>\n\n\n\n

Onvindbare melodie\u00ebn van de trouv\u00e8res [Untraceable melodies of the trouveres; review of HMU 907317]. In: Nederlands Dagblad<\/em>, February 27, 2004.<\/p>\n\n\n\n

Eresaluut aan Johann Strauss sr [Salute of honour to Johann Strauss sr; on the Vienna New Year\u2019s Concert 2004]. In: Nederlands Dagblad<\/em>, February 27, 2004.<\/p>\n\n\n\n

Het voorbeeld van Hildegard [The example of Hildegard; on Hildegard von Bingen\u2019s Ordo virtutum<\/em>]. In: Nederlands Dagblad<\/em>, January 16, 2004.<\/p>\n\n\n\n

2003<\/h2>\n\n\n\n

De indringende, grillige Hector Berlioz [The penetrating, whimsical Hector Berlioz; review of several Berlioz releases]. In: Nederlands Dagblad<\/em>, December 19, 2003.<\/p>\n\n\n\n

Rijke kersttraditie in Cambridge [Rich Christmas tradition in Cambridge; review of OA 0815 D and OA 0834 D]. In: Nederlands Dagblad<\/em>, November 28, 2003.<\/p>\n\n\n\n

Charles Dickens gebroken leven vol geheimen [Charles Dickens broken life filled with secrets; review of OA 0876 D]. In: Nederlands Dagblad<\/em>, November 28, 2003.<\/p>\n\n\n\n

De diepzinnige oudoom van Bach [The profound great-uncle of Bach; on Johann Christoph Bach; review of HMC 901783.84]. In: Nederlands Dagblad<\/em>, November 7, 2003.<\/p>\n\n\n\n

Sibelius\u2019 Oceaniden in drie versies [Sibelius\u2019 Oceanids<\/em> in three versions; review on BIS-CD-1445]. In: Nederlands Dagblad<\/em>, September 26, 2003.<\/p>\n\n\n\n

Aangedaan door schoonheid [Touched by beauty; on Sir John Tavener]. In: Nederlands Dagblad<\/em>, September 5, 2003.<\/p>\n\n\n\n

Opera Het sluwe vosje als tekenfilm [Opera The Cunning Little Vixen<\/em> as cartoon; review of dvd Opus Arte OA 0839 D]. In: Nederlands Dagblad<\/em>, July 4, 2003.<\/p>\n\n\n\n

Missen voor de oude broodheer [Masses for the former boss; review of Philips 470 819-2, 470 286-2 and 470 297-2]. In: Nederlands Dagblad<\/em>, May 23, 2003.<\/p>\n\n\n\n

De zwanenzang van de romantische orkestmuziek [The Swan Song of the romantic orchestral music; on R. Strauss\u2019 Alpine Symphony; review of Sony SVD 46400]. In: Nederlands Dagblad<\/em>, May 2, 2003.<\/p>\n\n\n\n

Een onbekende Opstandingssymfonie [An unknown Resurrection-Symphony; on Rubbra\u2019s Symphony No.9; review of CHAN 9944(5)]. In: Nederlands Dagblad<\/em>, April 11, 2003.<\/p>\n\n\n\n

Matth\u00e4us-Passion met enkel solisten [St. Matthew Passion<\/em> with only soloists; review on Archiv 474 200-2] In: Nederlands Dagblad<\/em>, April 11, 2003.<\/p>\n\n\n\n

Weens sprookje nog nooit zo mooi<\/a> [Viennese fairy tale never as beautiful; On Vienna New Year\u2019s Concert 2003]. In: Nederlands Dagblad<\/em>, April 11, 2003.<\/p>\n\n\n\n

Opofferende liefde [Sacrificing love; on Gluck\u2019s Alceste<\/em>; Philips 470 293-2; Arthaus 100 160]. In: Nederlands Dagblad<\/em>, March 21, 2003.<\/p>\n\n\n\n

Muziek voor kardinalen [Music for cardinals; review of Virgin Classics 5 45452 2 and 3 45495 2]. In: Nederlands Dagblad<\/em>, February 28, 2003 (wrongly attributed to the musical editorial board of the Nederlands Dagblad<\/em>).<\/p>\n\n\n\n

De vader van de Estlandse muziek [The father of Estonian music; on Eduard Tubin; review of BIS-CD-1402\/04]. In: Nederlands Dagblad<\/em>, February 28, 2003.<\/p>\n\n\n\n

Rariteiten van een guitige melodie\u00ebnboer [Oddities of a funny melodywriter; review of Decca 470 298-2]. In: Nederlands Dagblad<\/em>, February 7,2003.<\/p>\n\n\n\n

Zestiende-eeuwse liedkunst van eigen bodem [16th century art song from Dutch soil; on Susato Musyck Boexckens<\/em>]. In: Nederlands Dagblad<\/em>, January 17, 2003.<\/p>\n\n\n\n

2002<\/h2>\n\n\n\n

Oude kwaliteit in een nieuw jasje [Old quality in a new shape; on Mozart\u2019s La clemenza di Tito<\/em>]. In: Nederlands Dagblad<\/em>, November 15, 2002.<\/p>\n\n\n\n

Op bezoek bij papa Haydn [Paying a visit to papa Haydn; on Haydn locations in Vienna and Eisenstadt]. In: Nederlands Dagblad<\/em>, June 7, 2002.<\/p>\n\n\n\n

Hervorming in tweevoud [Twofold Reformation; review of recordings of the two versions of Gluck\u2019s Orfeo ed Euridice<\/em>]. In: Nederlands Dagblad<\/em>, May 31, 2002.<\/p>\n\n\n\n

De tango van Maxima [Maxima\u2019s tango; on Piazzolla]. In: Nederlands Dagblad<\/em>, February 15, 2002.<\/p>\n\n\n\n

Het boek met zeven zegels [The book with seven seals; on Schmidt\u2019s oratorio Das Buch mit sieben Siegeln<\/em>]. In: Nederlands Dagblad<\/em>, February 8, 2002.<\/p>\n\n\n\n

Herodes\u2019 lugubere verjaardagsfeest [Herod\u2019s sinister birthday party; review of the production of Strauss\u2019 Salom\u00e9<\/em> at the Amsterdam Opera]. In: Nederlands Dagblad<\/em>, January 18, 2002.<\/p>\n\n\n\n

2001<\/h2>\n\n\n\n

Propjes schieten onder Karajan [Throwing pellets under Karajan; three recordings of Strauss\u2019 Der Rosenkavalier<\/em> conducted by Karajan]. In: Nederlands Dagblad<\/em>, December 28, 2001.<\/p>\n\n\n\n

Nieuwtestamentische salsa [New Testament salsa; review of H\u00e4nssler Classics 98.404 and 98.405). In: Nederlands Dagblad<\/em>, November 23, 2001.<\/p>\n\n\n\n

Ellende van de kleine mens [The misery of the little man; on Jan\u00e1\u010dek\u2019s Jenufa<\/em>]. In: Nederlands Dagblad<\/em>, September 28, 2001.<\/p>\n\n\n\n

Zo vader, zo zoon? [Father like son?; on two recordings of R. Strauss Der Rosenkavalier<\/em>, conducted by Erich and Carlos Kleiber]. In: Nederlands Dagblad<\/em>, September 14, 2001.<\/p>\n\n\n\n

Faust als wanhopige dertiger. [Faust as a desperate man in his thirties; review of Arthaus 100 003]. In: Nederlands Dagblad<\/em>, June 22, 2001.<\/p>\n\n\n\n

Hartmanns bijzondere symfonie\u00ebn [Hartmanns\u2019s remarkable symphonies; review of EMI 5569112]. In: Nederlands Dagblad<\/em>, May 25, 2001.<\/p>\n\n\n\n

Drie maal Von Karajan op dvd [Sony SVD 48421, 45986 and 46383]. In: Nederlands Dagblad<\/em>, March 16, 2001.<\/p>\n\n\n\n

Verdi-jaar brengt veel opera\u2019s voort [review of Philips 462 613-2]. In: Nederlands Dagblad<\/em>, March 9, 2001.<\/p>\n\n\n\n

Gergiev biedt maf circus [Gergiev offers crazy circus; on Prokof\u2019ev\u2019s Love for the three oranges<\/em>]. In: Nederlands Dagblad<\/em>, February 16, 2001.<\/p>\n\n\n\n

Harnoncourt walst aangenaam vanzelfsprekend [Harnoncourt waltzes pleasantly natural; on the Vienna New Year\u2019s Concert 2001]. In: Nederlands Dagblad<\/em>, February 2, 2001.<\/p>\n\n\n\n

Jozef werd Richard Strauss echt te veel [Joseph was too much for Richard Strauss; on Strauss\u2019 Josephs Legende<\/em>]. In: Nederlands Dagblad<\/em>, January 19, 2001.<\/p>\n\n\n\n

2000<\/h2>\n\n\n\n

Vrije kerstvertelling met een laklaagje [Free Christmas story with a layer of varnish; on Berlioz\u2019 L\u2019Enfance du Christ<\/em>; review of Decca 458 915-2]. In: Nederlands Dagblad<\/em>, December 15, 2000.<\/p>\n\n\n\n

Sibelius jaagt je de stuipen op het lijf [Sibelius scares one; review of EMI 5672992]. In: Nederlands Dagblad<\/em>,December 1, 2000.<\/p>\n\n\n\n

Paul McCreesh overtuigt [Paul McCreesh is convincing; review of Archiv 469 061-2]. In: Nederlands Dagblad<\/em>, November 10, 2000.<\/p>\n\n\n\n

Merlin is volbloed muziektheater [Merlin is full-blooded music theater; on Alb\u00e9niz\u2019 Merlin<\/em>]. In: Nederlands Dagblad<\/em>, October 20, 2000.<\/p>\n\n\n\n

Rattle vertolkt Mahler heel goed [Rattle performs Mahler splendidly; review of EMI 5569722]. In: Nederlands Dagblad<\/em>, September 22, 2000.<\/p>\n\n\n\n

Haydn tintelend als de zomer [Haydn fresh as the summer; review of l\u2019Oiseau lyre 466 941-2]. In: Nederlands Dagblad<\/em>, September 15, 2000.<\/p>\n\n\n\n

Celibidache stond zijn roem in de weg [Celibidache stood in the way of his fame; review of DG 445 471-2]. In: Nederlands Dagblad<\/em>, September 15, 2000.<\/p>\n\n\n\n

Frisse muziek bij een achterhaald verhaal [Fresh music with a dated story; on Prokof\u2019ev\u2019s Sem\u00ebn Kotko<\/em>]. In: Nederlands Dagblad<\/em>, September 1, 2000.<\/p>\n\n\n\n

Chopin is geraffineerd simpel [Chopin is crafty simple; on Chopin\u2019s Ballades<\/em>]. In: Nederlands Dagblad<\/em>, June 2, 2000.<\/p>\n\n\n\n

Harmonia Mundi speelt voor Sinterklaas [Harmonia Mundi plays Santa Claus; review of HMX 2908070.73 and 2908078.83). In: Nederlands Dagblad<\/em>, May 5, 2000.<\/p>\n\n\n\n

Martins Golgotha draait indringend om Jezus [in Martin\u2019s Golgotha<\/em>, it is all about Jesus]. In: Nederlands Dagblad<\/em>, April 21, 2o00.<\/p>\n\n\n\n

Orpheus als Griekse zanger en Franse violist [Orpheus as Greek singer and French violinist; on Monteverdi\u2019s L\u2019Orfeo<\/em> and Offenbach\u2019s Orph\u00e9e aux enfers<\/em>] . In: Nederlands Dagblad<\/em>, March 17, 2000.<\/p>\n\n\n\n

Pappano begenadigd vertolker van Puccini\u2019s werk [Pappano gifted interpreter of Puccini\u2019s work; review of EMI 5565872]. In: Nederlands Dagblad<\/em>, March 10, 2000.<\/p>\n\n\n\n

Omstreden Strauss, omstreden opera [Controversial Strauss, controversial opera; on Strauss\u2019 Friedenstag<\/em>]. In: Nederlands Dagblad<\/em>, March 10, 2000.<\/p>\n\n\n\n

Met Simon Rattle door de details van Szymanovski [With Simon Rattle through the details of Szymanovski; on Szymanovski Kr\u00f3l Roger<\/em>]. In: Nederlands Dagblad<\/em>, February 18, 2000.<\/p>\n\n\n\n

Sober werk van Rimskij-Korsakov [Sober work by Rimskij-Korsakov; on Rimskij-Korsakov\u2019s Legend of the Invisible City of Kitezh<\/em>]. In: Nederlands Dagblad<\/em>, February 11, 2000.<\/p>\n\n\n\n

Nono\u2019s muziek streng en ascetisch [Nono\u2019s music austere and ascetic; on Nono\u2019s No hay caminos hay que caminar<\/em>]. In: Nederlands Dagblad<\/em>, January 21, 2000.<\/p>\n\n\n\n

1999<\/h2>\n\n\n\n

Mahler om sprakeloos van te worden [A Mahler that makes one speechless; review of the cd-release of the Christmas Matinee Concerts of the Concertgebouw Orchestra conducted by Bernard Haitink]. In: Nederlands Dagblad<\/em>, October 29, 1999.<\/p>\n\n\n\n

Het overvolle programma van Bach [The dense schedule of Bach; review of Wolff (ed.) De wereld van de Bach cantates<\/em> Vol.2.]. In: Nederlands Dagblad<\/em>, October 22, 1999.<\/p>\n\n\n\n

Zomerse muziek op een \u2018kostelijk liedje\u2019 [Summerlike music on a \u2018delicious song\u2019; on Schubert\u2019s Trout Quintet<\/em>]. In: Nederlands Dagblad<\/em>, October 15, 1999.<\/p>\n\n\n\n

Kerkmuziek voor voetballende monniken [Church music for soccer playing monks; on Poulenc\u2019s sacred choral music and his opera Dialogues des carm\u00e9lites<\/em>]. In: Nederlands Dagblad<\/em>, September 24, 1999.<\/p>\n\n\n\n

Hogwood haalt stof van Haydn [Hogwood dusts off Haydn; review of l\u2019Oiseau lyre 460 776-2]. In: Nederlands Dagblad<\/em>, September 24, 1999.<\/p>\n\n\n\n

Stravinsky\u2019s terugkeer naar de kerk [Stravinsky\u2019s return to the church; on Stravinsky\u2019s sacred choral music]. In: Nederlands Dagblad<\/em>, September 10, 1999.<\/p>\n\n\n\n

Richard Strauss in het spoor van Nietzsche [Richard Strauss following the trace of Nietzsche]. In: Nederlands Dagblad<\/em>, September 3, 1999.<\/p>\n\n\n\n

Een nieuwe kerk met muziek als een tempel [A new church with music like a temple; on Dufay\u2019s Nuper rosarum flores<\/em>]. In: Nederlands Dagblad<\/em>, May 28, 1999 (wrongly attributed to colleague Mar van der Veer).<\/p>\n\n\n\n

La Valse, dodendans van de 19e eeuw [La Valse, dance of death of the 19th century; on Ravel\u2019s La Valse<\/em>]. In: Nederlands Dagblad<\/em>, May 9, 1999.<\/p>\n\n\n\n

Muzikaal protest tegen Russisch antisemitisme [Musical protest against Russian antisemitism; on Shostakovich Symphony No.13]. In: Nederlands Dagblad<\/em>, April 30, 1999.<\/p>\n\n\n\n

Nieuwe Schone slaapster een festijn [New Sleeping Beauty a feast; review of DG 457 634-2]. In: Nederlands Dagblad<\/em>, April 23, 1999.<\/p>\n\n\n\n

Van pest en hoofse liefde [About pestilence and courtly love; on Machaut\u2019s Le Jugement du Roi de Navarre<\/em>]. In: Nederlands Dagblad<\/em>, April 16, 1999.<\/p>\n\n\n\n

Hoogtepunten van Haitink [Highlights of Haitink; review of Philips 462 942-2]. In: Nederlands Dagblad<\/em>, April 16, 1999.<\/p>\n\n\n\n

Gustave Holst kon \u2018blijde finale\u2019 niet uitstaan [Gustav Holst could not stand a \u2018happy finale\u2019; on Holst\u2019s The Planets<\/em>]. In: Nederlands Dagblad<\/em>, April 9, 1999.<\/p>\n\n\n\n

Wagners Parsifal. Een opera die benevelt als een narcoticum. [Wagner\u2019s Parsifal, an opera that intoxicates like a narcotic]. In: Nederlands Dagblad<\/em>, April 2, 1999.<\/p>\n\n\n\n

Klokken van de wieg tot het graf [Bells from the cradle to the grave; on Rakhmaninov\u2019s Kolokola<\/em>]. In: Nederlands Dagblad<\/em>, March 12, 1999.<\/p>\n\n\n\n

Jarige Haitink dirigeert Sjostakovitsj [Birthday boy Haitink conducts Shostakovich]. In: Nederlands Dagblad<\/em>, February 26, 1999.<\/p>\n\n\n\n

Rusalka van grote klasse [Rusalka of excellent quality; review of Decca 460 568-2]. In: Nederlands Dagblad<\/em>, February 5, 1999.<\/p>\n\n\n\n

Carmen schopte tegen het zere been [Carmen touched on a sore spot; on Bizet\u2019s Carmen<\/em>]. In: Nederlands Dagblad<\/em>, January 29, 1999.<\/p>\n\n\n\n

Tsjaikovski\u2019s gifdood is een mythe [Tchaikovsky\u2019s death by poisoning is a myth]. In: Nederlands Dagblad<\/em>, January 22, 1999.<\/p>\n\n\n\n

1998<\/h2>\n\n\n\n

Weens oliebollenconcert viert vier jubilea [Vienna New Year\u2019s Concert celebrates four anniversaries; on the Vienna New Year\u2019s Concert 1999]. In: Nederlands Dagblad<\/em>, December 18, 1998.<\/p>\n\n\n\n

De mens is voor een tuin geschapen [Man is created for a garden; on Beethoven\u2019s Pastorale<\/em> symphony]. In: Nederlands Dagblad<\/em>, December 11, 1998.<\/p>\n\n\n\n

Zinderend drama in nieuwe Boris Godoenov [Electrifying drama in new Boris Godunov<\/em>; review of Philips 462 230-2]. In: Nederlands Dagblad<\/em>, December 4, 1998.<\/p>\n\n\n\n

Een blokkendoos voor blazers [Building blocks for brass instruments; on Stravinsky\u2019s Symphonies of Wind Instruments<\/em>]. In: Nederlands Dagblad<\/em>, November 27, 1998.<\/p>\n\n\n\n

Homogeen, degelijk en sober. Het oratorium Christus van Franz Liszt [Homogenuous, solid and sober. The Oratorio Christus<\/em> by Liszt]. In: Nederlands Dagblad<\/em>, November 20, 1998.<\/p>\n","protected":false},"excerpt":{"rendered":"

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